The Image of the Opera in the History of Painting: Delacroix and Rossini S Otello

Authors

  • Jos Salvador Blasco Magraner

  • Francisco Carlos Bueno Camejo

Keywords:

delacroix, rossini, shakespeare, othello, desdemona, opera, theater, iconography

Abstract

Eug ne Delacroix was always a lover of opera and theater One of his most admired opera composers was Gioacchino Rossini This article delves into the operatic and theatrical iconography of Delacroix about Othello based on the original work of Shakespeare and the eponymous opera by Rossini and his librettist Berio We have also consulted the Diaries as they were the original documents of the French painter The analyzed pictures are Desdemona cursed by her father and Otello and Desdemona Finally we have risked venturing into a general view of both Delacroix s oils on canvas

How to Cite

Jos Salvador Blasco Magraner, & Francisco Carlos Bueno Camejo. (2014). The Image of the Opera in the History of Painting: Delacroix and Rossini S Otello. Global Journal of Human-Social Science, 14(A2), 15–21. Retrieved from https://socialscienceresearch.org/index.php/GJHSS/article/view/993

The Image of the Opera in the History of Painting: Delacroix and Rossini S Otello

Published

2014-01-15