The article tries to construe the conflux of concentric contours in the art of portrayal in literary cubism which takes cognizance of multiple perspectives by calibrating chaos and collating complexities. The introduction to the study outlines the scope of cubist strategy in the fictional firmament through a novel as the focus of reference, for analysis based on relevant theoretical structure. The second section of the essay concentrates on the usance of paradox as a cubist tool. The third part of the paper examines the juncture of congruence and divergence of the chosen fictional reference to the rubric of cubism in black and white. The conclusion proposes adapting nuanced manoeuvring from the world of biology to stay adrift, shirking free from a floundering fusillade of the fragmented self.