The Study of a Framework for Art Work and the Role of Recent Emerging Media
Keywords:
media, network, communication, artistic creativity
Abstract
The principle objective of this study is to examine the culture of networks that are implicated in the production of culture, specifically as it pertains to artists' design and use of digitally networked information and communication technologies (ICTs) for the production of artworks. The analysis in this study seeks to reveal a better understanding of the working practices that underpin artists' creative engagements with new media while recognizing the significance of discursive continuities that inform such engagements. Theoretically, a case is presented for combining several theoretical perspectives into a multilayered conceptual framework for examining the circulation of power as it relates both to artistic creativity and to technological innovation.
Downloads
- Article PDF
- TEI XML Kaleidoscope (download in zip)* (Beta by AI)
- Lens* NISO JATS XML (Beta by AI)
- HTML Kaleidoscope* (Beta by AI)
- DBK XML Kaleidoscope (download in zip)* (Beta by AI)
- LaTeX pdf Kaleidoscope* (Beta by AI)
- EPUB Kaleidoscope* (Beta by AI)
- MD Kaleidoscope* (Beta by AI)
- FO Kaleidoscope* (Beta by AI)
- BIB Kaleidoscope* (Beta by AI)
- LaTeX Kaleidoscope* (Beta by AI)
How to Cite
References
Steven Newhouse, Jennifer Schopf (2007) Grid user requirements-2004: a perspective from the trenches. 10(3), 311-322.
D Norman (1999) Affordances, Conventions, and Design. 38-42.
P Patton (1998) Foucault's Subject of Power. 64-77.
Richard Peterson (1979) Revitalizing the Culture Concept. 5(1), 137-166.
Richard Peterson (1982) Five Constraints on the Production of Culture: Law, Technology, Market, Organizational Structure and Occupational Careers*. 16(2), 143-153.
R Peterson (1997) Creating Country Music: Fabricating authenticity.
R Peterson (2005) In Search of Authenticity. 42(5), 1083-1098.
Richard Peterson, N Anand (2002) How Chaotic Careers Create Orderly Fields. 257-279.
Richard Peterson, N Anand (2004) The Production of Culture Perspective. 30(1), 311-334.
R Peterson, H White (1989) The Simplex Located in Art Worlds. 243-259.
N Phillips, J Brown (1993) ANALYZING COMMUNICATION IN AND AROUND ORGANIZATIONS: A CRITICAL HERMENEUTIC APPROACH.. 36(6), 1547-1576.
Nelson Phillips, Thomas Lawrence, Cynthia Hardy (2004) Discourse and Institutions. 29(4), 635.
M Poster (1995) Cyber Democracy: Internet and the public sphere.
Mark Poster (2006) Culture and New Media: A Historical View. 134-140.
P Ricoeur (1977) The Rule of the Mataphor.
S Ridgeway (1989) Artist Groups: Patrons and Gate-Keepers. 205-225.
A Riles (2000) The Network Inside Out.
A Rivoire (1999) Les Artistes Réclament leur Part d' Internet 2.
K Robins, F Webster (1999) Times of the Technoculture: From the information society to the virtual life.
N Rose (2000) Government and Control. 40, 321-339.
N Rosenberg (1982) Inside the Black Box: Technology and economics.
L Rowe, J Basney (2002) Access Grid Technology Development.
Harmeet Sawhney (1996) Information superhighway: metaphors as midwives. 18(2), 291-314.
Published
2014-10-08
Issue
Section
License
Copyright (c) 2014 Authors and Global Journals Private Limited

This work is licensed under a Creative Commons Attribution 4.0 International License.