Women in Painting: An Analysis of Balzacs The Unknown Masterpiece

Authors

  • Ana Fernandes

Keywords:

Abstract

This article explores into the analysis of Balzac's Le Chef d'OEuvre inconnu, with a particular focus on the portrayal of women and creativity in art. It investigates Balzac's handling of the art trade, financial aspects, and female characters, while also delving into Frenhofer's portrayals and the symbolism of la Belle Noiseuse. This study underscores the significance of grasping these motifs to gain a deeper understanding of Balzac's work and its societal influence during that period.

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How to Cite

Women in Painting: An Analysis of Balzacs The Unknown Masterpiece. (2024). Global Journal of Human-Social Science, 24(A1), 11-18. https://socialscienceresearch.org/index.php/GJHSS/article/view/104012

References

Choe Ae-Young Une lecture textanalytique du 'Chef-d'oeuvre inconnu' de Balzac. 208, 15-27.

Honoré Balzac, De (1993) Le Chef-d'oeuvre inconnu.

Gottfried Boehm (2000) Präkere Balance.

A Geisler-Szmulewic (1999) Le Mythe de Pygmalion au XIXe siècle.

Philippe Hamon (1991) Le topos de l'atelier. 125-144.

Karl Marx (2024) Der Fetischcharakter der Ware und sein Geheimnis. 03, 2.

A Wettlaufer, Pen Vs, Paintbrush, Girodet (2001) Balzac et les mythes de Pygmalion dans la France postrévolutionnaire.

Women in Painting: An Analysis of Balzacs The Unknown Masterpiece

Published

2024-04-10

How to Cite

Women in Painting: An Analysis of Balzacs The Unknown Masterpiece. (2024). Global Journal of Human-Social Science, 24(A1), 11-18. https://socialscienceresearch.org/index.php/GJHSS/article/view/104012