A View of Dialect and Folklore in Hurstonas Their Eyes Were Watching God
Keywords:
folkloric imagery, black dialect, culture, stories
Abstract
Neale Hurston's novel Their Eyes Were Watching God, about a black heroine. Species from the south folklore is portrayed in black dialect echoing traditional literary voice. Our paper targets to analyse the linguistic and cultural diversity in the novel noticed between black dialect and Standard English of the narrator; plus an exposition to folkloric elements spelled out of the Southern black culture accurately reported by the novelist through Janie whose voice represents the actual situation of everyday life. Hurston, as most urban and rural African American writers, defies canonical literature and conventional literary representation; indeed, she succeeds to develop the skill of reproducing the ritualized vernacular contest, stories, games, entertainment and other popular habits. Grounded in a theory of cultural oral legacy, Hurston's novel is duplication of the black culture and dialect which have had an unmistakable influence on American society.
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How to Cite
References
M Awkward (1990) New Essays on Their Eyes Were Watching God.
W Dubois (1903) The Signifying Monkey: A Theory of Afro-American Literary Criticism. Henry Louis Gates, Jr.. 88(2), 224-226.
L Gaurrigues (2003) Porch Talk: Reading Their Eyes Were Watching God. 93(1), 21-28.
Z Hurston (1937) Their Eyes Were Watching God (1937). 59-78.
Z Hurston (2013) Their Eyes Were Watching God.
Z Hurston (1999) Writings by Zora Neale Hurston from the Federal Writer's Project: Go Gator and Muddy the Water.
Zora Hurston (1990) Jook Ethnography, Inventing Black Music Studies. 87-90.
L Litwin, B (1978) A Reader's Guide to Zora Neale Hurston's Their Eyes Were Watching God.
Published
2014-11-08
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