The Pathology of Relational Aesthetics and the Anomaly of Adaptive Behavior of Transformation in Nuruddin Farah’s Crossbones (2011)

Authors

  • Souleymane Diallo

Keywords:

relationism, relationalism, relational aesthetic, relational model, relational aggression, social constructionism

Abstract

The postmodernist material cause of the schema of Crossbones implies an innovative method and a meta-cognition realm within postcolonial system of proposition and metadata involves a new approach of intellection in the perspective relational values and relational frame theory stand as a dimensionality of understanding and a generative and transformative reality Through an object program and a normative functionalism Farah installs a psycho-functionalist perspective in the run to transcend the realm of ethnocentrism and relegio-politico social theory concerning the domain of formal conception and perception of relationalism This persistence relates to an alternative understanding a modality and property differentiation concerning the relational aesthetic and the status quo of the Be-ing and a transformative reform about human intellect prerequisites and requests in this dynamic of social practice and evidence-based practice the relational aesthetic theory within Farah evolves his docufiction define a method of linguistic performance and a relational expression that focuses on a conceivable representation of truth and experience

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How to Cite

Souleymane Diallo. (2022). The Pathology of Relational Aesthetics and the Anomaly of Adaptive Behavior of Transformation in Nuruddin Farah’s Crossbones (2011). Global Journal of Human-Social Science, 22(G5), 49–56. Retrieved from https://socialscienceresearch.org/index.php/GJHSS/article/view/102795

The Pathology of Relational Aesthetics and the Anomaly of Adaptive Behavior of Transformation in Nuruddin Farah’s Crossbones (2011)

Published

2022-05-16