'Had I the Art to Stun Myself / With Bolts of Melody!': Emily Dickinson's 'Circumference of Expression' as her 'Chiefest Apprehension' of a Hindered Creativity
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References
Elizabeth Barrett, Browning (1897) The Letters of Elizabeth Barrett Browning. 2, 231-232.
Harold Bloom (1973) The Anxiety of Influence: A Theory of Poetry.
Gerard Manley, Hopkins, Richard Dixon (1935) The Correspondence of Gerard. 3.
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Adrienne Rich (1975) When We Dead Awaken: Writing as Re-vision. 49.
Vivian Pollak, Dickinson (1984) Pathologising Gone Awry Christina Mazzoni Saint Hysteria: Neurosis, Mysticism, and Gender in European Culture (Ithaca and London: Cornell University Press, 1996). 143-146.
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Joanne Feit, Diehl Dickinson and the Romantic Imagination. 15.
Emily Dickinson (1090) On Emily Dickinson. 36-36.
H Thomas, Johnson (1960) Complete Poems.
Walt Whitman (1975) The Complete Poems. 21, 83.
Wendy Martin (2002) Cambridge Companion to Emily Dickinson. 130.
Emily Dickinson (1884) The Letters of Emily Dickinson. 3, 846.
Clark Griffith (1964) Long Shadow. 17-73.
Emily Dickinson Unknown Title. 1, 148.
Joanne Feit, Diehl Dickinson and the Romantic Imagination. 18-20.
Emily Dickinson (1580) Unknown Title. 21, 569.
(1871) A Companion to Emily Dickinson. 367, 490-495.
Emily Dickinson (1282) Dickinsonâs Search, to Find the Poem of Her Being. 751, 27.
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2018-10-31
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