Abstract

Poetically his discourse is much closer related to the heritage of the European literary artistic tendencies especially the European avant-garde whose experiences undoubtedly correspond to Uro evi s sensibility than with the current national developments Placed in Macedonian context his poetry at the moment of its appearance is a reaction to both intimism in poetry and to the revolutionary pragmatism and realism in the Macedonian poetry after World War II This is poetry that has set off on a long counter-current adventure 2 which has provoked the earliest labels attached to this poet by some critics such as enfant terrible of modernism Dadaist and aesthete of course in negative connotation Later the European or rather the cosmopolitan orientation of Uro evi will be adequately valued and will become advantage and recognizable trait not only of his creative profile but also a general place for the third generation of contemporary Macedonian poets to whom he belongs the generation that played decisive role in the aesthetic emancipation universalization and affirmation of the Macedonian poetry as complementary to the modern world poetic experiences Today Vlada Uro evi has his prominent place in the Macedonian poetic Pantheon He is above all an urban poet but at times is a careful listener to the secret speech of nature He is considered to be a poet who from one collection of poetry to another traces new excitements and broadens the borders horizons of the poetic This text is only one possible interpretative aspect of the abundant map of persistent extraordinary curiosities and challenges of the poet Vlada Uro evi