Сhanging Humanities: At the Crossroads of History, Poetics and Art

Authors

  • Kira Andreeva

Keywords:

ekphrasis, semiotic difference, integrity of image, visual perception, instant immersion, notional perception, visualization

Abstract

The present article investigated the problem of actualization of poetic ekphrasis presented in two different semiotic systems The paper studied the correlation of generalized meaning with differing forms of expression known as cases of isomorphism and allomorphism The empirical material under study was provided by the contrastive analysis of the interface of one of Y Polonskyi s poems 1845 and N Roerih s original picture 1945 The contrastive pair of examples had the same titles Bede the Preacher The two cases were also united by identical semantics providing similar notional and emotional-aesthetic impact upon recipients with the help of different forms of expression from poetry and painting Both examples in their turn date back to the ancient legend connected with the name of the real person who lived in the seven eight centuries and was known as Saint Bede The article s aim was to reopen the enigma of identical strong emotional effect produced on recipients at different times with the help of two differing media forms the poem and the picture It actually created the evident research gap Such cases had been studied before but reliable explanations and technologies were not stated

How to Cite

Kira Andreeva. (2020). Сhanging Humanities: At the Crossroads of History, Poetics and Art. Global Journal of Human-Social Science, 20(A13), 1–8. Retrieved from https://socialscienceresearch.org/index.php/GJHSS/article/view/102277

Сhanging Humanities: At the Crossroads of History, Poetics and Art

Published

2020-05-15