Existential Humanistic Paradigm in Girish Karnad's ''Hayavadana''
Keywords:
existentialism, paradoxical identity, paradigms, alienation, futility
Abstract
This paper attempts to interrogate Girish Karnad's 'Hayavadana' from the perspective of existentialism relating the protagonist to main concerns of existential paradigm such as freedom, choice, responsibility, finitude and death. Individual's variety of responses to fear and anxieties forge a paradoxical identity which tries to avert the inevitability through human efforts and subverts the symbolic identity, to seek meaning in interpersonal relationship and life. Hayavadana engages with this dual reality of human being which Becker refers to "existential paradox". The way an individual conflates this paradox, has been analysed from the existential human paradigms which involves inner experiences, desires, memories and the sense of alienation. It further investigates the societal myth of an individual used by Karnad to locate a man in the larger human context. It further argues that Karnad poses a problem of identity in a world of tangled relationship.
Downloads
- Article PDF
- TEI XML Kaleidoscope (download in zip)* (Beta by AI)
- Lens* NISO JATS XML (Beta by AI)
- HTML Kaleidoscope* (Beta by AI)
- DBK XML Kaleidoscope (download in zip)* (Beta by AI)
- LaTeX pdf Kaleidoscope* (Beta by AI)
- EPUB Kaleidoscope* (Beta by AI)
- MD Kaleidoscope* (Beta by AI)
- FO Kaleidoscope* (Beta by AI)
- BIB Kaleidoscope* (Beta by AI)
- LaTeX Kaleidoscope* (Beta by AI)
How to Cite
References
Albert Camus (1975) The Myth of Sisyphus.
Joseph Catalano (1985) Jean-Paul Sartre Being and Nothingness. 251-262.
Brian Chris, Crow (1996) An Introduction to Post-colonial Theatre.
P Dhanavel (2000) The Indian Imagination of Girish Karnad: Essays on Hayavadana.
Aparana Dharwadker (1998) Diaspora, Nation, And the Failure of Home: Two Contemporary. 50(1).
Aparana Dharwadker, Bhargava (1995) Historical Fictions and Postcolonial Representation: Reading Girish Karnad's Tughlaq. 110(1), 43-58.
Veena Dass, Nobel (1988) Modern Indian Drama in English Tradition.
Jaydip Dodiya, Plays Singh, Girish Of, Karnad (1999) "CULTURE, TRADITION AND MODERNITY IN THE PLAYS OF GIRISH KARNAD- A SYSTEMATIC REVIEW". 8(6).
L Gill, Girish Karnad (2005) s Hayavadana: A Critical Study.
Michelle Horan (2017) Existential-Humanistic Therapy: Overcoming a Resistance to Life.
Van Hoven, Adrian Den (2005) Sartre and His Philosophy.
Christina Howells (1992) The Cambridge Companion to Sartre.
Frank Kafka (1917) The Metamorphosis.
Karnad, ; Girish, V Ii (2005) "CULTURE, TRADITION AND MODERNITY IN THE PLAYS OF GIRISH KARNAD- A SYSTEMATIC REVIEW". 8(6).
Mohit Ray Tradition and Avant-garde in Girish Karnad's Hayavadana, Indian Drama, Interlitararia.
Nabnita Roy, Jean -Paul Sartre (1997) On Literature, Freedom and Consciousness.
Neeru Tandon (2006) Perspectives and Challenges in Indian English Drama.
Vanashree Tripathi (2004) "CULTURE, TRADITION AND MODERNITY IN THE PLAYS OF GIRISH KARNAD- A SYSTEMATIC REVIEW". 8(6).
Manoj Panday (2007) The Plays of Girish Karnad and Tradition.
Jean-Paul Sartre (1972) Jean-Paul Sartre Being and Nothingness. 251-262.
D Nicholl (1948) Existentialism and Humanism. By J. P. Sartre. (Methuen; 5s.) - The Philosophy of Decadentism-A Study of Existentialism. By N. Bobbio. (Blackwell; 5s.). 29(343), 484-485.
Irvin Yalom (1980) Existential Psychotherapy.
Published
2019-07-09
Issue
Section
License
Copyright (c) 2019 Authors and Global Journals Private Limited

This work is licensed under a Creative Commons Attribution 4.0 International License.