Graphic Design Visuals A Means of Cultural Development in Technological Age
Keywords:
graphic, design, visual, communication, cultural, technology, age
Abstract
In recent years, the relationship between graphic design and visuals (GDV) has become a source of debate for researchers. Human beings are symbolically innovative; they react to their environment by creating devices that will assist them in adapting to the numerous problems of commu-nication. This reaction to environmental influence led to the development of different devices which are problem solving technologies in their recurrent activities. The springing up, and advancement of graphic design devices in Information Technologies and Communication, brought series of benefits and relief to mankind. Modern man exists in an era in which technological innovation and devices are dominating the accomplishments of human endeavour and the supersonic age of Information Technology explosion in graphic design communication which has made life much more meaningful. New innovations and methodologies are applied in graphic communication visual system in disseminating information to the audience. This paper, surveys the impact and the role of graphic visuals communication. In cultural developments.
Downloads
- Article PDF
- TEI XML Kaleidoscope (download in zip)* (Beta by AI)
- Lens* NISO JATS XML (Beta by AI)
- HTML Kaleidoscope* (Beta by AI)
- DBK XML Kaleidoscope (download in zip)* (Beta by AI)
- LaTeX pdf Kaleidoscope* (Beta by AI)
- EPUB Kaleidoscope* (Beta by AI)
- MD Kaleidoscope* (Beta by AI)
- FO Kaleidoscope* (Beta by AI)
- BIB Kaleidoscope* (Beta by AI)
- LaTeX Kaleidoscope* (Beta by AI)
How to Cite
References
K Adeyemi (2005) The Role of Graphic Art in National Building in Contemporary Issues Nigeria Art.
T Akinbogun (2003) Design Creativity As a Pivot for Technological Advancement and Patronage: Multi-Disciplinary Perspectives Journal of Perspective in Culture and Creativity. 1, 11-20.
O Akinyokun (1990) News items. 16(1), 113-114.
Joseph Alba, J Hutchinson (1987) Dimensions of Consumer Expertise. 13(4), 411.
Ayorinde S. Oluyemi, Oluwafemi S. Adelabu, E Bankole Oladumiye (2004) IDENTIFICATION TENDENCIES IN THE ONOMASTICS OF NON-ALCOHOLIC BEVERAGE PACKAGING DESIGN IN AKURE, NIGERIA.
F Folorunsho (2001) Visual Art and Communication Technology. Reshaping Nigeria's Development in the Millenium. (2), 60-69.
R Gary (2005) Fundamentals of Graphic Communication 4 th edition. 408-412.
C Hoban (1974) Discussion of the Paper on the Future of 16mm Educational Film. 2(3), 30-30.
S Hoyland, S Holder (1997) A Case Study of Graphics Comprehension Difficulties Audio Visual Communication Reviews. 7(2), 264-279.
Martin -Engel (1979) HHE determination report no. HHE-72-88-68, N. L. Industries, Inc. Titanium Pigment Division St. Louis, Missouri.. 67-72.
T Obielodon (1990) Visual Aids Communications. The Imperative of Artistic Literacy in a Technological Age. 2(2), 194-196.
O Ogunsote (1990) Information Technology and Design Reflections on Electronic Alternatives. 2(2), 203-206.
E Oladumiye (2013) Aesthetic Analysis in the Study of Graphics Design Visual Perception in Advertisement of Products in South Western Nigeria: A Case Study of the Akure Consumers. 16(1), 38-45.
Ayorinde S. Oluyemi, Oluwafemi S. Adelabu, E Bankole Oladumiye (2011) IDENTIFICATION TENDENCIES IN THE ONOMASTICS OF NON-ALCOHOLIC BEVERAGE PACKAGING DESIGN IN AKURE, NIGERIA. 211-216.
B Radiliffe (1968) Structure and Function in Primitive Society. 99-106.
B Shehu (1991) 11 / National Cinema, National Culture. 133-140.
P Smith (1997) Doing Business on the Internet, Collin, Simon. Kogan Page, London, 1997, 203 pages. ISBN : 0-7494-2128-2. N° 11(2), 101f-106f.
Robert Thompson (1972) The Sign of the Divine King: An Essay on Yoruba Bead-Embroidered Crowns with Veil and Bird Decorations. 3(3), 8.
Published
2014-06-28
Issue
Section
License
Copyright (c) 2014 Authors and Global Journals Private Limited

This work is licensed under a Creative Commons Attribution 4.0 International License.