Appreciating Ghanaian Choral Music: George Mensah Essilfieas YEdze Wo KEseyE Mawa (We Ascribe To Your Greatness) In Perspective
Keywords:
choral, music education, indigenous/ traditional, ghanaian, syncretism, contemporary
Abstract
Abstract not found
Downloads
- Article PDF
- TEI XML Kaleidoscope (download in zip)* (Beta by AI)
- Lens* NISO JATS XML (Beta by AI)
- HTML Kaleidoscope* (Beta by AI)
- DBK XML Kaleidoscope (download in zip)* (Beta by AI)
- LaTeX pdf Kaleidoscope* (Beta by AI)
- EPUB Kaleidoscope* (Beta by AI)
- MD Kaleidoscope* (Beta by AI)
- FO Kaleidoscope* (Beta by AI)
- BIB Kaleidoscope* (Beta by AI)
- LaTeX Kaleidoscope* (Beta by AI)
How to Cite
References
Bentil, Anterkyi, Asiedu, Alice, Joy Boye, Dabone Tawiah (2000) First Year Colleges of Education Students' Sexual Behaviour and Awareness of Hiv/Aids Prevelence in the Central Region, Ghana. 2(12).
A Agordoh (1994) The Present State of Church Music in Ghana. 16(1).
C Mereku (2009) Twenty-first-century African classicism: illustrations from the piano trio Pivicafrique: on the theme of Jack Berry's 'Sasabonsam's Match. 9.
D Metzer (2009) Musical Modernism at the Turn of the Twenty -first Century.
B Omojola (1995) Nigerian Art Music. Ibadan, Nigeria.
M Young (1962) The Choral Tradition: An historical and analytical survey from 16 th century to the present day.
Published
2014-05-20
Issue
Section
License
Copyright (c) 2014 Authors and Global Journals Private Limited

This work is licensed under a Creative Commons Attribution 4.0 International License.