Pocomania Rituals and Identity in Andrew Salkeyas a Quality of Violence (1959)
Keywords:
Abstract
Introduction-The quest for identity construction knew its apogee in the burgeoning Caribbean literature of the 1950's, a period marked by a great tide of immigration to London and the exile of a significant number of West Indian writers.
Downloads
- Article PDF
- TEI XML Kaleidoscope (download in zip)* (Beta by AI)
- Lens* NISO JATS XML (Beta by AI)
- HTML Kaleidoscope* (Beta by AI)
- DBK XML Kaleidoscope (download in zip)* (Beta by AI)
- LaTeX pdf Kaleidoscope* (Beta by AI)
- EPUB Kaleidoscope* (Beta by AI)
- MD Kaleidoscope* (Beta by AI)
- FO Kaleidoscope* (Beta by AI)
- BIB Kaleidoscope* (Beta by AI)
- LaTeX Kaleidoscope* (Beta by AI)
How to Cite
References
(1994) A History of Literature in the Caribbean.
Warwick Armstrong (1995) Ashcroft, B., Griffiths, G. and Tiffin, H., eds (1995) The post-colonial studies reader. New York, Routledge, 526 p. (ISBN 0-415-09622-7). 40(111), 449.
E Brathwaite (1960) A Quality of Violence: Andrew Salkey. 8(31), 219-220.
Celia Britton (1999) Edouard Glissant and Post Colonial Theory: Strategies of Language and Resistance.
Frantz Fanon (1965) The Wretched of the Earth.
Pin-Chia Feng (2002) Rituals of Rememory: Afro-Caribbean Religions in "Myal" and "It Begins with Tears. 27(1), 149-175.
H Gilbert, J Tompkins (1996) Post-colonial Drama: Theory, Practice, Politics.
Wilson Harris (1967) Tradition, the Writer and Society: Critical Essays.
Peter Nazareth (1974) An African View of Literature.
Andrew Salkey (1978) A Quality of Violence.
Dianne Steward (2005) Three Eyes for the Journey. 1-2.
Patrick Taylor (1989) The Narrative of Liberation: Perspectives on Afro-Caribbean Literature, Popular Culture and Politics.
Silvio Torres-Saillant (1997) Caribbean Poetics: Toward an Aesthetic of West Indian Literature.
R Young (1995) Colonial Desire: Hybridity in Theory, Culture and Race.
Published
2014-04-03
Issue
Section
License
Copyright (c) 2014 Authors and Global Journals Private Limited

This work is licensed under a Creative Commons Attribution 4.0 International License.