In response to skewed representations of Africa and Africans in narratives by Western missionaries and colonialists (Loti, 1881/1992; de Nerval, 1851/1998; Defoe, 1719/1994 or Conrad, 1899/1999), Chinua Achebe resolved to write a novel, on the continent, from an insider’s point of view. Achebe undertook to deconstruct views of the colonized subject as barbaric; a rationale that justified the imperial ideology of the British civilizing mission. Things Fall Apart (1958), Achebe’s first novel, chronicles the early encounter between people from Umuofia and the British colonizers as they settle in present-day Nigeria around the turn of the 19th century. Following the lives of Okonkwo and his fellow Igbo community members as they navigate their ways through the advent of a new language, a new religion, and new ways of life, Things Fall Apart constitutes a landmark piece in African literature. The novel received praises on the ways it un-silenced and centered indigenous voices as well as the original language of the narration as worth objects of study. Achebe challenges a Western-centered hermeneutic of life as he captures and foregrounds Igbo cosmology and worldview in the novel.

How to Cite
NDEYE BA, Dr.. From Local Fabulation to Worldwide Celebration: Foregrounding Indigeneity in Chinua Achebe’s Things Fall Apart. Global Journal of Human-Social Science Research, [S.l.], may 2022. ISSN 2249-460X. Available at: <https://socialscienceresearch.org/index.php/GJHSS/article/view/4061>. Date accessed: 06 july 2022.