@incollection{,
	
					
					
					3251707A4E3F232E3EFC083F91D47806
				,
	author={{AnaSzilagyi}},
	journal={{Global Journal of Human Social Sciences}},
	journal={{GJHSS}}2249-460X0975-587X10.34257/GJHSS,
	address={Cambridge, United States},
	publisher={Global Journals Organisation}21131518
}

@book{b0,
	
	
		,
	title={{Fenomene polare în arta interpret?rii muzicale. Referiri speciale la arta violonistic?}}
		,
	author={{
			?tefana-Gra?ielaNegru?iu
		}}
		
			,
	year={2007}
			,
	publisher={Editura Marineasa}
			,
	address={Timi?oara}
		
	

}

@book{b1,
	
	
		,
	title={{Tratat de art? pianistic?}}
		,
	author={{
			Ana;Piti?
		} and {
			IoanaMinei
		}}
		
		
			,
	year={1982}
			,
	publisher={Editura Muzical?}
			,
	address={Bucure?ti}
		
	

}

@incollection{b2,
	
	
		,
	title={{How expert pianists interpret scores: A hermeneutical model of learning}}
		,
	author={{
			ChariseHastings
		}}
	
	
		,
	booktitle={{Proceedings of the International Symposium on Performance Science}}
				the International Symposium on Performance Science
		
			,
	year={2011. 2011}
			
		
	

}

@incollection{b3,
	
	
		,
	title={{A Theory of Piano Interpretation based on Cybernetics}}
		,
	author={{
			AnaSzilágyi
		}}
	
	
		,
	journal={{New Sound}}
		
			46
			
			,
	year={2015}
		
	
	,
	note={II/2015}

}

@book{b4,
	
	
		,
	title={{La musique spectrale. Une révolution épistémologique}}
		,
	author={{
			HuguesDufourt
		}}
		
			,
	year={2014}
			,
	publisher={Editions Delatour France}
		
	

}

@incollection{b5,
	
	
		,
	title={{Sounding Emotional: How Timbre Choices Affect Emotions in Music}}
		,
	author={{
			ChristianTronhjem
		}}
	
	
		,
	booktitle={{The Sound of AI, Melodrive}}
				
			,
	year={2019. Feb. 21, 2019}
		
	

}

@incollection{b6,
	
	
		,
	title={{Toward a neural basis of music perception -a review and updated model}}
		,
	author={{
			StefanKoelsch
		}}
	
	
		,
	journal={{frontiers in Psychology}}
		
			2
			110
			,
	year={2011. 2011}
		
	

}

@incollection{b7,
	
	
		,
	title={{Exploring real-time sonic adjustements in the performance of notated music: Morton Feldman, space acoustics, and the variable timbres of piano sound}}
		,
	author={{
			VictoriaTzotzkova
		}}
	
	
		,
	booktitle={{Proceedings of the International Symposium on Performance Science}}
				the International Symposium on Performance Science
		
			,
	year={2011. 2011}
			
		
	

}

@incollection{b8,
	
	
		,
	title={{Guide to the Basic Concepts and Techniques of Spectral Music}}
		,
	author={{
			JoshuaFineberg
		}}
	
	
		,
	journal={{Contemporary Music Review}}
		
			19
			
			,
	year={2000}
		
	

}

@incollection{b9,
	
	
		,
	title={{Analysis of the Sonority: an Approach based upon the Performance}}
		,
	author={{
			Bregoglio
		} and {
			DidierBibiana; Guigue
		}}
		
	
	
		,
	booktitle={{Proceedings of the 11 th International Conference of Students of Systematic Musicology}}
				the 11 th International Conference of Students of Systematic Musicology
		
			,
	year={2018. 2018}
			
		
	

}

@incollection{b10,
	
	
		,
	title={{It's not what you play, it's how you play it: Timbre affects perception of emotion in music}}
		,
	author={{
			JuliaCHailstone
		} and {
			Omar
		} and {
			;Rohani
		} and {
			SusieM DHenley
		} and {
			Chris;Frost
		} and {
			Kenward
		} and {
			GMichael
		} and {
			JasonDWarren
		}}
		
		
		
		
		
		
		
	
	
		,
	journal={{The Quaterly Journal of Expermental Psychology}}
		
			62
			1
			
			,
	year={2009}
		
	

}

@book{b11,
	
	
		,
	title={{}}
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	author={{
			AnaPiti?
		}}
		
	

}

@incollection{b12,
	
	
		,
	title={{}}
		,
	author={{
			IoanaMinei
		}}
	
	
		,
	journal={{Teoria comportamentului pianistic}}
		,
	editor={Editura Sfântul Gheorghe-Vechi}
		
			,
	year={1997}
		
	

}

@incollection{b13,
	
	
		,
	title={{Studying a score silently: What benefits can it bring to performance?}}
		,
	author={{
			Anabela;Bravo
		} and {
			PhilipFine
		}}
		
	
	
		,
	booktitle={{Proceedings of the International Symposium on Performance Science}}
				the International Symposium on Performance Science
		
			,
	year={2009. 2009}
			
		
	

}

@incollection{b14,
	
	
		,
	title={{Mozart in Us: How the Brain Processes Music}}
		,
	author={{
			EckartOAltenmüller
		} and {
			MarcWBangert
		} and {
			Liebert
		} and {
			WilfriedGundhild; Gruhn
		}}
		
		
		
	
	
		,
	booktitle={{presented as the Richard Lederman Lecture at the Seventeenth Annual Symposium on Medical Problems of Musicians and Dancers}}
				Aspen, Colorado
		
			,
	year={2000. June 1999. September 2000}
			
		
	

}

@incollection{b15,
	
	
		,
	title={{Music Cognition and the Cognitive Sciences}}
		,
	author={{
			Marcus;Pearce
		} and {
			MartinRohrmeier
		}}
		
	
	
		,
	booktitle={{Topics in cognitive sciences}}
				
			,
	year={2021. Oct. 2021}
			4
			
		
	

}

@book{b16,
	
	
		,
	title={{Vom Neandertal in die Philharmonie. Warum der Mensch ohne Musik nicht leben kann}}
		,
	author={{
			EckartAltenmüller
		}}
		
			,
	year={2018}
			,
	publisher={Springer-Verlag}
			,
	address={Berlin}
		
	

}