@incollection{, 787B06E4E002BD36B56861BA0C6EDA68 , author={{Amal Mohan M.S.} and {Prof. A. KhaleelRahuman} and {Noorul Islam Centre for HIgher Education}}, journal={{Global Journal of Human Social Sciences}}, journal={{GJHSS}}2249-460X0975-587X10.34257/GJHSS, address={Cambridge, United States}, publisher={Global Journals Organisation}20111520 } @book{b0, , title={{References Références Referencias i}} , note={Primary Sources} } @book{b1, , author={{ WStevens }} , title={{The Necessary Angel: Essays on Reality and the Imagination}} Vintage , year={1965} , note={Unabridged Edition} } @book{b2, , title={{}} , author={{ WStevens } and { FKermode } and { JRichardson }} , year={1997} } @book{b3, , author={{ WallaceStevens }} , title={{Collected Poetry and Prose (Library of America)}} , note={Library of America} } @book{b4, , title={{In defining poetry as a substitute for religion, Stevens is joining himself to a tradition extending from the romantics through Matthew Arnold down to our own day" (Miller Poets of Reality 24). Arnold predicted in 1888 that "...most of what now passes with us for religion and philosophy will be replaced by poetry" (Essays in Criticism 2). Stevens' conception of the poem and its redemptive qualities is much the same}} , note={Poetry becomes the ultimate value after God because of the curative and cleansing myths it is capable of spinning. but less of a hypothesis than of a fact, one which Stevens expresses and explores simultaneously in his poetry} } @incollection{b5, , title={{Letters of Wallace Stevens}} , author={{ HStevens }} , booktitle={{Alfred A Knopf ii. Secondary Sources}} , year={1996} } @book{b6, , author={{ MArnold }} , title={{Essays in Criticism: The Study of Poetry; John Keats; Wordsworth. United States: Allyn and Bacon}} , year={1896} } @incollection{b7, , title={{The Supreme Fiction: Fiction or Fact?}} , author={{ GBrazeal }} , journal={{Journal of Modern Literature}} 31 1 , year={2007. September 12, 2020} , note={Retrieved} } @incollection{b8, , title={{Major Man and Overman: Wallace Stevens' Use of Nietzsche}} , author={{ MiltonJBates }} , journal={{Southern Review}} 15 , year={1979. Web. 28 Apr. 2016} } @book{b9, , author={{ HBloom }} , title={{The Anxiety of Influence: A Theory of Poetry}} , publisher={Oxford University Press} , year={1997} , note={2nd ed.} } @book{b10, , title={{Early Stevens: The Nietzschean Intertext}} , author={{ BJLeggett }} , year={1992} , publisher={Duke University Press} , address={Durham} , note={Print} } @incollection{b11, , title={{}} , author={{ LNichols }} , booktitle={{>Talk With Mr. Stevens. Nytimes}} , year={1997. December 21} } @book{b12, , title={{Poets of Reality: Six Twentieth-Century Writers}} , author={{ JMiller } and { Hillis }} , year={1969} , publisher={Athenaeum} , address={New York} , note={Wallace Stevens. Print} } @incollection{b13, , title={{The Wallace Stevens}} , author={{ BMaeder }} , journal={{Journal}} 34 2 , year={2010. October 12, 2020} } @book{b14, , title={{Wallace Stevens: Words Chosen Out of Desire}} , author={{ HelenVendler }} , year={1984} , address={Knoxville} U of Tennessee P, Print. iii. Tertiary Sources } @incollection{b15, , title={{Poetry of Wallace Stevens Study Guide}} , author={{ CourseHero }} , booktitle={{Course Hero}} , year={2019. January 3. September 12, 2020} } @book{b16, , title={{Poetry Foundation}} , author={{ WallaceStevens }} , year={September 20, 2020} } @book{b17, , title={{God has been a fiction, and to poetry He is no less a fiction than reality. Supreme Being gone, Supreme Fiction is born. Stevens writes}} , author={{ ForStevens }} , note={By supreme fiction, of course, I mean poetry. Letters 407)} } @book{b18, , title={{Stevens' development of this new kind of poetry, that replaces God from his throne, reaffirms order in the society and needs a much greater reparative work. In his great poem}} , note={Stevens tries to describe how the poem weaves the magic. As Stevens writes. It is implicit in the title that there can be such a thing as a supreme fiction," (Letters 430) and in "Notes," he sets out to show us how} }