@incollection{, 09324CEFA82180D0F2070409915A710B , author={{YevhenVoronin} and {University of Cologne}}, journal={{Global Journal of Human Social Sciences}}, journal={{GJHSS}}2249-460X0975-587X10.34257/GJHSS, address={Cambridge, United States}, publisher={Global Journals Organisation}207118 } @incollection{b0, , title={{Affect and Taste: Bourdieu, Traditional Music, and the Performance of Possibilities'}} , author={{ LokaAshwood } and { MichaelMBell }} , journal={{Sociologia Ruralis}} 57 S1 , year={2017} } @incollection{b1, , title={{}} , author={{ TonyBennett } and { MikeSavage } and { ElizabethBortolaiaSilva } and { AlanWarde } and { ModestoGayo-Cal } and { DavidWright }} , journal={{Class, Distinction. Routledge}} , year={2009} , note={Culture} } @book{b2, , author={{ Ter Bogt } and { FMTom } and { QA WRaaijmakers } and { WA MVollebergh } and { FWVan Wel } and { PaulSikkema }} , title={{Youngsters and Their Musical Taste: Musical Styles and Taste Groups}} , year={2003} } @incollection{b3, , title={{Post-Bourdieusian Moments and Methods in Music Sociology: Toward a Critical, Practice-Based Approach'}} , author={{ De Boise } and { Sam }} , journal={{Cultural Sociology}} 10 2 , year={2016} } @incollection{b4, , title={{Music through the Ages: Trends in Musical Engagement and Preferences from Adolescence through Middle Adulthood'}} , author={{ ArielleBonneville-Roussy } and { PeterJRentfrow } and { ManKXu } and { JeffPotter }} , journal={{Journal of Personality and Social Psychology}} 105 4 , year={2013} } @book{b5, , title={{Distinction: A Social Critique of the Judgement of Taste}} , author={{ PierreBourdieu }} , year={1984} , publisher={Harvard university press} } @book{b6, , title={{The Forms of Capital}} , author={{ PierreBourdieu }} , year={1986} } @incollection{b7, , title={{Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes'}} , author={{ BethanyBryson }} , journal={{American Sociological Review}} 61 5 , year={1996} } @incollection{b8, , title={{Beyond Social Class and Status. The Network Embeddedness of Music Consumption'}} , author={{ Micha?Cebula }} , journal={{Przegl?d Socjologiczny}} 68 2 , year={2019} } @incollection{b9, , title={{Social Stratification and Cultural Consumption: Music in England'}} , author={{ TakChan } and { JohnHWing } and { Goldthorpe }} , journal={{European Sociological Review}} 23 1 , year={2007} } @incollection{b10, , title={{Distinction or Omnivorousness? --An Analysis of Cultural Participation and Class Reproduction in Kaohsiung from the Perspective of Pierre Bourdieu}} , author={{ Chih-HsienChen }} , journal={{Mass Communication Research}} 126 , year={2016} } @incollection{b11, , title={{The Relationship between Musical Preferences and Type D Personality}} , author={{ Yu-ChiChung } and { AlinkaEGreasley } and { Li-YuHu }} , journal={{Psychology of Music}} 47 1 , year={2019} } @incollection{b12, , title={{The Omnivore and the "Class Defector}} , author={{ PhilippeCoulangeon }} , booktitle={{Musical Taste and Social Mobility in Contemporary France}} , year={2013} } @book{b13, , title={{Music in Everyday Life}} , author={{ TiaDenora }} , year={2000} , publisher={Cambridge University Press} , note={1st ed} } @incollection{b14, , title={{Suggested Scales for the Measurement of Musical Involvement and Genre Tastes}} , author={{ RichardDDixon }} , journal={{Popular Music and Society}} 7 4 , year={1980} } @incollection{b15, , title={{Cultural Omnivorousness as a Combination of Highbrow, Pop, and Folk Elements: The Relation between Taste Patterns and Attitudes Concerning Social Integration}} , author={{ Van Eijck } and { JohnKoen } and { Lievens }} , journal={{Poetics}} 36 2 , year={2008} } @incollection{b16, , title={{Exploring the Musical Taste of Expert Listeners: Musicology Students Reveal Tendency toward Omnivorous Taste'}} , author={{ PaulElvers } and { DianaOmigie } and { WolfgangFuhrmann } and { TimoFischinger }} , journal={{Frontiers in Psychology}} 6 , year={2015} } @incollection{b17, , title={{Do Young People Misjudge Each Others' Musical Taste?}} , author={{ LeifFinnas }} , journal={{Psychology of Music}} 15 2 , year={1987} } @book{b18, , title={{Performing Rites: On the Value of Popular Music. 1. Harvard Univ. Press pb}} , author={{ SimonFrith }} , year={1999} , publisher={Harvard Univ. Press} , address={Cambridge, Mass} } @incollection{b19, , title={{Deconstructing Cultural Omnivorousness 1982-2002: Heterology in Americans' Musical Preferences'}} , author={{ García-Álvarez } and { TallyErcilia } and { JordiKatz-Gerro } and { López-Sintas }} , journal={{Social Forces}} 86 2 , year={2007} } @incollection{b20, , title={{The Association between Types of Music Enjoyed and Cognitive, Behavioral, and Personality Factors of Those Who Listen}} , author={{ DarrenGeorge } and { KellyStickle } and { FaithRachid } and { AlayneWopnford }} , journal={{Psychomusicology: A Journal of Research in Music Cognition}} 19 2 , year={2007} } @book{b21, , title={{Mapping Shared Understandings Using Relational Class Analysis: The Case of the Cultural Omnivore}} , author={{ AmirGoldberg }} , year={2011} } @incollection{b22, , title={{}} , journal={{American Journal of Sociology}} 116 5 } @book{b23, , title={{The Cultural Omnivore Thesis: Methodological Aspects of the Debate'. Pp. 97-151 in Routledge International Handbook of the Sociology of Art and Culture}} , author={{ IrmakHaz?r } and { AlanKarademir } and { Warde }} , year={2015} , note={Routledge} } @book{b24, , title={{Music Stimuli in Mindfulness Meditation: Comparison of Musician and Non-Musician Responses}} , author={{ Hernandez-Ruiz } and { AbbeyLEugenia } and { KevinDvorak } and { Weingarten }} , year={2020} , note={Psychology of Music 0305735620901338} } @book{b25, , title={{Music Sociology an Introduction to the Role of Music in Social Life}} , author={{ SaraHorsfall } and { Jan-MartijnMeij } and { MeghanDProbstfield }} , year={2014} } @incollection{b26, , title={{Cultural Omnivores' Consumption: Strategic and Inclusively Exclusive'}} , author={{ YooKwon } and { Kyoung-NanJin } and { Kwon }} , journal={{International Journal of Marketing Studies}} 5 1 118 , year={2013} } @book{b27, , title={{Reconceptualising and Theorising "Omnivorousness": Genetic and Relational Mechanisms'. Sociological Theory}} , author={{ OmarLizardo } and { SaraSkiles }} , year={2012} 30 } @book{b28, , title={{Universal Pattern of Cultural Omnivorousness? : A Comparison of Cultural Taste Patterns in Estonia and the Netherlands}} , author={{ TriinuLukas }} , year={2015} } @book{b29, , title={{Ethics in Online Research; Evaluating the ESRC Framework for Research Ethics Categorisation of Risk}} , author={{ KateOrton-Johnson }} , year={2010} } @incollection{b30, , title={{}} , journal={{Sociological Research Online}} 15 4 } @incollection{b31, , title={{Habitus as the mechanism of structure-agency synthesis in Pierre Bourdieu's sociological theory}} , author={{ AnnaOsypchuk }} , journal={{Naukovi Zapysky NaUKMA}} , year={2013} } @incollection{b32, , title={{Changing Highbrow Taste: From Snob to Omnivore'}} , author={{ RAPeterson } and { RMKern }} , journal={{American Sociological Review}} 61 5 , year={1996} } @incollection{b33, , title={{Understanding Audience Segmentation: From Elite and Mass to Omnivore and Univore}} , author={{ RichardAPeterson }} , journal={{Poetics}} 21 4 , year={1992} } @incollection{b34, , title={{Problems in Comparative Research: The Example of Omnivorousness'}} , author={{ RichardAPeterson }} , journal={{Poetics}} 33 5 , year={2005} } @incollection{b35, , title={{Changing Highbrow Taste: From Snob to Omnivore'}} , author={{ RichardAPeterson } and { RogerMKern }} , journal={{American Sociological Review}} 61 5 , year={1996} } @book{b36, , author={{ RichardAPeterson } and { AlbertSimkus }} , title={{Seven How Musical Tastes Mark Occupational Status Groups'. Cultivating Differences: Symbolic Boundaries and the Making of Inequality 152}} , year={1992} } @incollection{b37, , title={{Bourdieu and the Sociology of Music Consumption: A Critical Assessment of Recent Developments'}} , author={{ NickPrior }} , journal={{Sociology Compass}} 7 3 , year={2013} } @incollection{b38, , title={{Nordic Democracy of Taste? Cultural Omnivorousness in Musical and Literary Taste Preferences in Finland}} , author={{ SemiPurhonen } and { JukkaGronow } and { KeijoRahkonen }} , journal={{Poetics}} 38 3 , year={2010} } @book{b39, , title={{Short Test of Music Preferences (STOMP)'. Measurement Instrument Database for the Social Science}} , author={{ PJRentfrow } and { SDGosling }} , year={2013} } @incollection{b40, , title={{The Structure of Musical Preferences: A Five-Factor Model'}} , author={{ PeterJRentfrow } and { RLewis } and { DanielJGoldberg } and { Levitin }} , journal={{Journal of Personality and Social Psychology}} 100 6 , year={2011} } @incollection{b41, , title={{The Song Remains the Same: A Replication and Extension of the MUSIC Model'}} , author={{ PeterJRentfrow } and { RLewis } and { DavidJGoldberg } and { MichalStillwell } and { SamuelDKosinski } and { DanielJGosling } and { Levitin }} , journal={{Music Perception}} 30 2 , year={2012} } @incollection{b42, , title={{The Do Re Mi's of Everyday Life: The Structure and Personality Correlates of Music Preferences}} , author={{ PeterJRentfrow } and { SamuelDGosling }} , journal={{Journal of Personality and Social Psychology}} 84 6 1236 , year={2003} } @incollection{b43, , title={{Beyond Omnivores and Univores: The Promise of a Concept of Musical Habitus'}} , author={{ MarkRimmer }} , journal={{Cultural Sociology}} 6 3 , year={2012} } @incollection{b44, , title={{Culture of Distinction or Culture of Openness? Using a Social Space Approach to Analyse the Social Structuring of Lifestyles}} , author={{ HenkRoose } and { KoenVan Eijck } and { JohnLievens }} , journal={{Poetics}} 40 6 , year={2012} } @incollection{b45, , title={{The Instability of Omnivorous Cultural Taste over Time}} , author={{ GabrielRossman } and { RichardAPeterson }} , journal={{Poetics}} 52 , year={2015} } @incollection{b46, , title={{Absorption in Music: Development of a Scale to Identify Individuals with Strong Emotional Responses to Music}} , author={{ GillianMSandstrom } and { FrankARusso }} , journal={{Psychology of Music}} 41 2 , year={2013} } @incollection{b47, , title={{Music Preferences, Personality Style, and Developmental Issues of Adolescents'}} , author={{ KellyDSchwartz } and { GregoryTFouts }} , journal={{Journal of Youth and Adolescence}} 32 3 , year={2003} } @incollection{b48, , title={{Revisiting Omnivores in America circa 1990s: The Exclusiveness of Omnivores?}} , author={{ GindoTampubolon }} , journal={{Poetics}} 36 2 , year={2008} } @book{b49, , title={{Exploring Film Genre Preferences through Taste Cultures: A Survey on Contemporary Film Consumption amongst Youth in Flanders (Belgium}} , author={{ AleitVeenstra } and { PhilippeMeers } and { DaniëlBiltereyst }} , year={2019} , note={Communications 0(0)} } @book{b50, , title={{Factors of attending of musical events among NaUKMA students}} , author={{ YevhenVoronin }} , year={2018} , address={Kyiv, Ukraine} National University of 'Kyiv-Mohyla Academy , note={Bachelor's Thesis} } @incollection{b51, , title={{The Anatomy of Cultural Omnivorousness: The Case of the United Kingdom}} , author={{ AlanWarde } and { ModestoGayo-Cal }} , journal={{Poetics}} 37 2 , year={2009} } @incollection{b52, , title={{Understanding Cultural Omnivorousness: Or, the Myth of the Cultural Omnivore}} , author={{ AlanWarde } and { DavidWright } and { ModestoGayo-Cal }} , journal={{Cultural Sociology}} 1 2 , year={2007} } @incollection{b53, , title={{The Omnivorous Orientation in the UK'}} , author={{ AlanWarde } and { DavidWright } and { ModestoGayo-Cal }} , journal={{Poetics}} 36 2 , year={2008} } @incollection{b54, , title={{Whose Education Matters More? Mothers' and Fathers' Education and the Cultural Participation of Adolescents'}} , author={{ MartWillekens } and { StijnDaenekindt } and { JohnLievens }} , journal={{Cultural Sociology}} 8 3 , year={2014} }