@incollection{, 9C68778A2F240A82A42408B24E8B7218 , author={{Jonas doNascimento}}, journal={{Global Journal of Human Social Sciences}}, journal={{GJHSS}}2249-460X0975-587X10.34257/GJHSS, address={Cambridge, United States}, publisher={Global Journals Organisation}1951928 } @incollection{b0, , title={{Experiência e Criação Artística}} , author={{ TWAdorno }} , journal={{Lisboa: Edições}} 70 , year={2003} } @book{b1, , title={{}} , author={{ GBachelard } and { Poética Do Espaço } and { São Paulo }} , year={2003} , publisher={Martins Fontes} } @incollection{b2, , title={{Le cinéma comme expérimentation philosophique}} , author={{ ABadiou Nova éditions }} , booktitle={{Em: BADIOU, A. Cinéma. Textes rassemblés et présentés par Antoine de Baecque}} Paris , year={2010} } @book{b3, , author={{ PBourdieu } and { Esboço De Uma Teoria Da Prática } and { Em } and { ROrtiz }} , title={{Bourdieu. Coleção Grandes Cientistas Sociais}} Org.; São Paulo , publisher={Ática} , year={1983} } @book{b4, , title={{Vision and Society: towards a sociology and anthropology from art}} , author={{ JClammer }} , year={2014} , publisher={Routledge Taylor & Francis} , address={London and New York} } @incollection{b5, , title={{The new sociology of art: putting art back into social science approaches to the arts}} , author={{ EDe La Fuente }} , journal={{Cultural Sociology}} 1 , year={2007} } @book{b6, , title={{}} , author={{ TDenora } and { Adorno }} , year={2003} , publisher={Cambridge University Press} , address={Cambridge} } @book{b7, , title={{African Film: New Forms of Aesthetics and Politics}} , author={{ MDiawara }} , year={2010} , publisher={Prestel} } @book{b8, , title={{The Art Instinct: Beauty, Pleasure, and Human Evolution}} , author={{ DDutton }} , year={2010} , publisher={Bloomsbury} , address={London, New York and Berlin} } @incollection{b9, , title={{Subversive Stories and Hegemonic Tales: Toward a Sociology of Narrative}} , author={{ PEwick } and { SSilbey }} , journal={{Law & Society Review}} 29 2 , year={1995} } @book{b10, , title={{}} , author={{ PFrancastel } and { Imagem } and { Visão E Imaginação } and { Lisboa }} , year={1987} 70 } @book{b11, , title={{}} , author={{ VFurió } and { Sociología Del Arte } and { Madrid }} , year={2000} , publisher={Ediciones Catedra} } @book{b12, , title={{The Reenchantment of Art}} , author={{ SGablik }} , year={2002} , publisher={Thames and Hudson} , address={New York} } @book{b13, , title={{Local knowledge. Further essays in interpretive anthropology}} , author={{ CGeertz }} , year={1983} , publisher={Basic Books} , address={New York} } @book{b14, , title={{Para uma introdução a sociologia da arte}} , author={{ CAGonçalves }} , year={2010} , publisher={Bubok Publishing} , address={Lisboa} } @book{b15, , title={{Ensaios e conferências. Petrópolis: Vozes}} , author={{ MHeidegger }} , year={2002} } @book{b16, , title={{Perspektiven der Filmsoziologie}} , author={{ CHeinze } and { SMoebius } and { DReicher }} , year={2012} , publisher={UVK Verlagsgesellschaft} , address={Konstanz und München} } @incollection{b17, , title={{}} , author={{ AHennion } and { LGrenier }} , journal={{Sociology of Art. New Stakes in a Post-Critical Time. Em: QUAH, S}} , year={2000} , publisher={SAGE} } @book{b18, , title={{Towards a sociology of the cinema: a comparative essay on the structure and functioning of a major entertainment industry}} , author={{ ICJarvie }} , year={2013} , publisher={Routledge} , address={London} } @book{b19, , title={{From Caligari to Hitler: A Psychological History of the German Film}} , author={{ SKracauer }} , year={1966} , publisher={Princeton University Press} } @book{b20, , title={{Sociology of film. Studies and documents}} , author={{ JPMayer }} , year={1946} , publisher={Faber and Faber} , address={London} } @book{b21, , title={{Soziologie des Films}} , author={{ DProkop }} , year={1982} , publisher={Fischer Taschenbuch Verlag} , address={Frankfurt am Main} } @book{b22, , title={{}} , author={{ DProkop } and { Trabalho Com Estereótipos }} , editor={os Filmes de D. W. Griffith. Em: FILHO, C. M. (org.). Prokop. São Paulo: Ática} , year={1986} } @book{b23, , title={{Beitrag zu einer Soziologie des Visuellen}} , author={{ MGefilmteSchroer } and { Gesellschaft }} , editor={HEINZE, C. and MOEBIUS, S. and REICHER, D.} , year={2012} , publisher={UVK Verlagsgesellschaft} , address={Konstanz und München} , note={Perspektiven der Filmsoziologie} } @book{b24, , title={{Situación y vocación de la sociología del arte}} , author={{ ASilbermann } and { Introducción }} , editor={SILBERMANN, A. et al. Sociologia del Arte} , year={1971} , publisher={Nueva Version} , address={Buenos Aires} } @book{b25, , title={{Sociologia del Cine. La apertura para historia de mañana}} , author={{ PSorlin }} , year={1985} , publisher={FCE} , address={Mexico} } @book{b26, , title={{Survival of the Beautiful: Art, Science and Evolution}} , author={{ DRothenberg }} , year={2011} , publisher={London} , address={New York e Berlin; Bloomsbury} } @book{b27, , title={{Nollywood Stars: Media and Migration in West Africa and the Diaspora}} , author={{ NATsika }} , year={2015} , publisher={Indiana University Press} , address={Bloomington} } @book{b28, , title={{Critical Approaches to African Discourse}} , author={{ NFUkadike }} , year={2014} , publisher={Lexington Books} , address={Lanham, Maryland} }