@incollection{,
	
					
					
					4A43159994C417BD9C083F71903F72F4
				,
	author={{Bashiru AkandeLasisi} and {University of Ibadan, Ibadan Nigeria}},
	journal={{Global Journal of Human Social Sciences}},
	journal={{GJHSS}}2249-460X0975-587X10.34257/GJHSS,
	address={Cambridge, United States},
	publisher={Global Journals Organisation}1442936
}

@book{b0,
	
	
		,
	title={{The performance theory}}
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			,
	year={1988}
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	address={Great Britain, Routledge}
		
	

}

@incollection{b1,
	
	
		,
	title={{Theatre and its challenges}}
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			OEnekwe
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		,
	journal={{Uyo. The Parnassus}}
		
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	year={2008}
		
		
			University of Uyo Journal of Cultural Research
		
	

}

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		,
	title={{}}
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	author={{
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	year={2013}
		
	
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	note={Reception theory' retrieved online on 12/07 2013 at}

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	title={{Cultural relativism. universal periodic review of the human rights council. Barcelona, Institut Catalia Internacional Per la Pau}}
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	year={2011}
			
		
	

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		,
	title={{African culture and the politics of globalization}}
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	journal={{Lagos, J. Black and African arts and civilization}}
		
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	year={2009}
		
	

}

@incollection{b5,
	
	
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	title={{The national troupe of Nigeria: choreographic and performance styles}}
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	author={{
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		,
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	publisher={Hope Publication}
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	year={2007}
		
	

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	year={2011}
		
	

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@book{b10,
	
	
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	address={Nig) Ltd}
		
	

}

@book{b12,
	
	
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	title={{The popular theatre: a tribute to Duro Ladipo in Drama and Theatre in Nigeria: a critical source book}}
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	author={{
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	year={1981}
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	address={Nigerian Magazine}
		
	

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@book{b13,
	
	
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			,
	year={2006}
		
	

}

@book{b14,
	
	
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	year={2009. April 15. 2009. 20/ 05/ 2013}
		
	

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@book{b15,
	
	
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	title={{Myth, literature and the African world}}
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	year={1990}
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	publisher={Cambridge University Press}
			37
		
	

}