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\vskip16pt \textcolor{GJBlue}{\large\bfseries\abstractname\space} }{% \vskip8pt \textcolor{GJMediumGrey}{\rule{\textwidth}{2pt}} \vskip16pt } \usepackage[absolute,overlay]{textpos} \makeatother \usepackage{lineno} \linenumbers \begin{document} \author[1]{Iryna Tkachenko} \affil[1]{ Sumy State Pedagogical University} \renewcommand\Authands{ and } \date{\small \em Received: 1 January 1970 Accepted: 1 January 1970 Published: 1 January 1970} \maketitle \begin{abstract} The purpose of the article is to highlight the stages of Ji?í Kylián?s ballet master activity and its influence on the development of choreographic art of the postmodern era. Research methodology. Analysis, synthesis, generalization, systematization, which were used to determine the state of the problem, identification of biographical information, characteristics of the choreographer's activity of Ji?í Kylián; biographical method, which contributed to the study of creative activity of the choreographer; historical-genetic analysis and the method of periodization, which allowed to consider the problem of research in the time continuum and to distinguish four stages of choreographer-philosopher?s ballet master activity and find out the features of style, choreographic language at each stage. Scientific novelty. \end{abstract} \keywords{choreography, staging, ballet, ballet master, dance theater, choreographer-philosopher, film dance.} \begin{textblock*}{18cm}(1cm,1cm) % {block width} (coords) \textcolor{GJBlue}{\LARGE Global Journals \LaTeX\ JournalKaleidoscope\texttrademark} \end{textblock*} \begin{textblock*}{18cm}(1.4cm,1.5cm) % {block width} (coords) \textcolor{GJBlue}{\footnotesize \\ Artificial Intelligence formulated this projection for compatibility purposes from the original article published at Global Journals. However, this technology is currently in beta. \emph{Therefore, kindly ignore odd layouts, missed formulae, text, tables, or figures.}} \end{textblock*} \let\tabcellsep& \par Ballet Master Activity of Ji?í Kylián: From the Ballet Stage to Cinema Dance ???????????????? Ð?"????????? ???? ???????: ??? ???????? ????? Ð?"? ????????? \section[{Iryna Tkachenko}]{Iryna Tkachenko}\par Abstract-The purpose of the article is to highlight the stages of Ji?í Kylián's ballet master activity and its influence on the development of choreographic art of the postmodern era.\par Research methodology. Analysis, synthesis, generalization, systematization, which were used to determine the state of the problem, identification of biographical information, characteristics of the choreographer's activity of Ji?í Kylián; biographical method, which contributed to the study of creative activity of the choreographer; historical-genetic analysis and the method of periodization, which allowed to consider the problem of research in the time continuum and to distinguish four stages of choreographer-philosopher's ballet master activity and find out the features of style, choreographic language at each stage. Scientific novelty. For the first time in Ukrainian art history the stages of Ji?í Kylián's choreographic activity are covered; the essence of Kylián's unique author's style is revealed; generalized methods and specifics of the artist's work with dancers of his own troupe at the Dutch Dance Theater; the peculiarities of Kylián's choreographic language are revealed through the prism of the postmodern era. Conclusions. It is proved that Ji?í Kylián's ballei master activity is characterized by four stages (plotdramaturgical, "black-and-white", remote-subconscious, filmdance) and is marked by the author's style, experimental innovation, which consists in dividing the ballet troupe by age category and participation of dancers in the staging process. The postmodern philosophical-aesthetic concept presupposes the search for a new choreographic direction, which is embodied in Ji?í Kylián's film dance. The traditional version of «Carmen» presented by Kylián in a new tragicomic interpretation became the standard of short choreographic films and showed the general public a completely different interpretation. The classic relationship and feelings between man and woman that are present in Bizet's «Carmen», Kylián turns into a woman's love for the car, due to the mundaneness of post-industrial society.\par Keywords: choreography, staging, ballet, ballet master, dance theater, choreographer-philosopher, film dance. \begin{figure}[htbp] \noindent\textbf{} \par \begin{longtable}{P{0.8129487179487179\textwidth}P{0.037051282051282046\textwidth}} ????????-????????????????? ?????????? ???? ??????? ?? ?? ????? ?? ???? ?????? -?????????? ????? ???????? ??????????????? ????????? ?????????????????? ?????. ??????????? ???????????. ??????, ??????, ????????????, ??????????????, ??? ??????????????? ??? ?'???????? ????? ????????????? ????????, ????????? ???? ???????????Ñ?"???? ??????? ??????? ??????????????, «?????-?????»,\tabcellsep ??????? 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Ð?"???? ???????. ???? ? 2004 ???? ?? ??????????? ????????????}\\ \tabcellsep ??? ???????? ?????? ??????? ?? ????????? ????? ????? ???? ????? ???????? ???????????-?????????. ???????????? ????? ??????Ñ?" ???????????, ?, ????? ?\tabcellsep \multicolumn{3}{l}{??????????????? ???????????? ????????? ? ????? ??????, ?????????? ???? ??????? ????? «????????», ?????? ?}\\ 22 Volume XXII Issue II Version I ( )\tabcellsep ??????? ?? ???????» ????????? ??????????????? ??Ñ?"?????? ?????????? ?? ????????? ?????? ? ????????? ??????? ??????????????, ??????? ???? ???????; ???????Ñ?" ?????? ??????? ???????????? ????? ?? ??????? ????????? ???????? ????????????????? ?????????? ???? ?????????, ?? ?????????? ???????, ???????????? ???????? ?????? ? ?????? 80-? ????????????? ?? ????????????, ??? ? ????????????? ????????, ????????, ?????????????, ?????????. ? ????? ???????, ??????? ???????? ??????????? ???????????, ???, ??????????, ? ??????? ?????????????. ?????????? ?????? -????? ????????? ????, ??? ????? ?? ?????? ??????????? ?????Ñ?" ?? ??????? ?????? ???????????. ?????Ñ?"??, ?? ???? ??????? ????????? ????, ?????? ??????Ñ?"???? ???????? ????? ??????, ?????????? ??????? ??????? ?. ????? (2019) ? ?????????? «??????????? ????????? ????????? ????????????? ???? ???????»; ?. ???????? (Vaccarino, 2001) ? ???????? ???????? «???? ??????» ?????????Ñ?" ???????? ?????????? ??????? ?? ?????? ??????????? ???? ?????, ??? ? ????????Ñ?" ???????????-????????? ?????????, ??????????? ?????????????? ???? ?????????????. ?????? ???????? ???????? ???????? ????????Ñ?", ?? ?????????? ?? ??????? ????? ?? ????????? ??????????, ???????? ????????????????? ?????????? ???? ???????, ??????? ???????? ?????? ?? ??????? ????????? ?? ??????? ?? ??? Ñ?" ??????????? ???????????. ??????? ??????? ?????? ??????Ñ?" ? ????, ?? ?????? ? ???????????? ????????????????? ?????????? ????? ????????????????? ?????????? ???? ???????; ???????? ???????? ??????????? ??????????? ????? ???????; ??????????? ???????? ?? ????????? ?????? ????? ?? ???????????? ?????? ????????? ????? ??? ??????????????? ?????? ?????;; ???????? ??????????? ?????????????? ???? ??????? ????? ?????? ?????????????????? ?????. II. ???? ?????? ???? ??????????? ??????Ñ?" ? ??????????? ?????? ????????????????? ?????????? ???? ??????? ?? ?? ????? ?? ???????? ??????????????? ????????? ?????????????????? ????? . III. ?????? ????????? Ð?"?????????? ?? ?????? ???????????? ????????????? ?????? ????????? ??????????? ????????Ñ?"??, ?? ???????? ?????????, ?????????, ??????????? ????????????, ?????????? ????? ???????????? ???????????? ? ??????????? ???????????? ???????? ??????? ????????? 21 ??????? 1947 ???? ? ?????. ????????? ??????? ???? ?????? ???????? ? ???'?????????? ???? ? ?????? ???????? ????? ??? ?????????? ????????????? ??????. ? 1962 ???????????? ??????????? ??? ??????? ???????? ??????, ????????. ????? ????, ?????? ??????Ñ?"???? ?? ??????????? ??????, ?? ????? ????? ???????, ???, ????? ?? ? ???? ???????? ?????????????? ? ????. ? ????????? ???? ???? ???????? ???? ?????????? ??????, ??? ?????? ??'Ñ?"???Ñ?" ? Ñ?"???? ????? «?????-????? ???????», ? ????: «????? ??????» (1986 ?.) ?? ?????? ?. ???????, «Ð?"?? ?????????» (1988 ?.) ?? ?????? ?. ??????, «??????? ??????» (1989 ?.) ?? ?????? ?. ?????. ??????? ???Ñ?"????'???? ?????? ?? ???????, ???? ??????? ? ??????????????????? ???????????. ?????????, ?? ????? ? ?????????? ???????? ??????? ?????????????? ??????????????? -?? ?? ????? ?? ????????, ? ????? ?? ??????. ???????? ???????? ????Ñ?"? ?????????? ???Ñ?" ???? ????. ??????????, ?? ???????? ?????? «??????» ?????????Ñ?" ????????? ???? ????? ??????. ??????, ????????? ??????????? ???????? ????? ??????Ñ?"? ?? ??????? ???????. ?????? ??????Ñ?" ?????? ??????????, ???????????????? ???????. ?????????, ?????????-???????????, ???? ? ????????? ????????????? (90-?? ???? ?? ????????) ???????????Ñ?"???? ???????? ??? ???????????? ?? ?????????? ?? ??????????? ? ???????????????. ? ??????? ?????Ñ?"???? ????????? ?? ???????? ????????????? ????????? ???????. ????????Ñ?"???? ? ?????? ???? ??????????. ???????????? ??????Ñ?"???? ?? ??????????? Ð?"?????? ????? ????????Ñ?" ? ??????? ????? ????? ?????????????. ? ?????? ???? ??? ? ???????? ???????? ?? ?????? ???Ñ?"? ????. ?? ???? ?????, ???????????? ????????? ????????????? ? ??????????? ????Ñ?" ?????????? ??????????? ? ???????? ??????? ??????, ?? ?????? ??????? ???'??? ?????. ?????????? ?????????? ???? ???????????? ????????? «???????????» (1995 ?), ??????????? ???? ???????? ????? ??????, ??????? ???? ??????????????? ?????? ????? ?? 20-??????? ?????????, ?? ?? ????? 35-??????? ?????? ????????? ????????. p. 67]. ?????????????? ???????, ??? ????????? Ñ?" ?????????? (??????? ?????????? ??? 40 ?????) [Vaccarino, 2001, ??????? ?????? ???????????? ????????Ñ?" ????? ?? (??????? ?????), ?????????????? ????? ????? ??? ????????? ????? ?????. ???????, ????????, ???????? ? ?????????? (17-24 ????), ?????????????? ????? ????? ????? ??????????? ??????????? ???????? ????????????? ?'????Ñ?"???? ?????????????? ????? ????? ? (?????? ???? ????????? ??????? ? ????????Ñ?" ??????????????? ??????? ??????? ?? ?????? ?????????. ?? ???????? ??????, ???? ?????? ? ????Ñ?"? ?????. ????????? ??????Ñ?" ????? ??????????? ? ????? ???????, ?? ??????Ñ?"???? ?????? ? ??????????????. ??? ?? ??????Ñ?" ?????? ?? ?????????????? ?????????? ? ????? ??????, ??? ??????Ñ?" ????????? ? ??????. ???? ?????? ??????Ñ?" ????????? ??? ??????????????? ?????? ?????. ??? ????????? ????? ?????? ???? ????????? ???????? ??? ???????? ? 1995 ???? ???? ?????? ???Ñ?" ?????????? ????? ????? ???????, ?????????? ?????????? ?. ?????, ?. ?? ???) ????????? ??????????? ????????. ?????????, ??????????????, ?????Ñ?"?. (1994 ?.) ?? ?????? ?. ?????, ?. ??????, ?. ?????, ???????????, ???? ???????????? ??????, ???????? ?????? ?. ???????, «???????????????? ????????» ?????? ?????????Ñ?" ??? ?? ?????????, ?????????. ???? ?????? ?. ??????, «???????? ??????» (1991 ?.) ?? ???????????? ??? ????????????? ????. ? ????? ??????? (1990 ?.) ?? ?????? ?. ????, «??????? ???» (1990 ?.) ?? ????? ???'?????? ? ?????, ?? ??????????? ? ??Ñ?"?????? ????. ???? ?????????? («?????????» ???'??? Ñ?" ?????? ??????????????, ???????????, ? ?? ???????, ???????????Ñ?" ??????? ?????? ?? ????????????? ??????? ?? ???????? ????????, ?? ??? ?????????????\tabcellsep \multicolumn{3}{l}{??????? ?????: ???????????, ??????????, ?????, ????????????, ????? ?????, ?????????-???????, ??????????. I. ????? ??????? ? ???????? ????? ?????? ??????? ??????? ???????Ñ?"???? ?????????? ???????? ???????????. ??????????? ???????? ?????? ?????????Ñ?" ?? ??????????, ??? ? ????????? ??????????. ?????????? ???????? ?????????? ?? ????????? ??????????, ???????-??????????, ????????? ??????, ???????? ????? ? ?????????? ????????????? ??????????? ?????Ñ?" ?????????? ????? ?? ????????? ?????????????. ????????? ???????????? ?????????????? ????????? ?? ??????????? ?? ????????????, ??????? ?????????? ???????? ???????????-?????????????? ???????? ??????? ??????????? ?????????? ??????? ???????????? ?????????, ?????????? ???? ???????????????? ??????, ????????? ?? ?????????? ?????????? ???? ????????? ?? ????? ?????????? ? ??? ??????????? ???????????? ???????????? ????????Ñ?"?, ???????????? ?????????. Ð?"???? ???????? ?? ????????, ??????? 70-?? ????, ??????? ???? ????????? ? ??????????? ?? ???????? ????? ????? ???? ????? ??????????? ????? ???????. ???????????? ? ??????????? ????????????????? ???????? ????? ?????? ?????? ??????? ? ??????? ??????, ?? ????????Ñ?" ????? ?? ?????????. ?????????, ?? ???? ??????? ?????? ???????????-??????????? ??????, Ð?"???????, ?? ???? ??????, ???? ?? ???????????????? ???????????? ????????? ??????????????? ?????????, ??????????? ?? ????????????? ?????????? ????? (???????????, ????????? ?????????, ??????? ? ???????????????. ??????? ???????????? ??????Ñ?" ?????????? ?? ?? ??????? ?? ???????? ?????? ??????. ??? ??????? ? ????? ?????????? ??????????-???????????? ????????????? ??? ??????????? ???????? ???? ?? ??????????? ?? ??????? ????????, ??????????? ??????????, ????????? ????? ?????????? [???????, 2007, c. 79]. Ð?"???????, ?? ???????????? ??????? ?? ??????????? ??????????? ??????? ? ????? ?????? ????????? ???????????? ?? ????????? ????????? ?? ???????. ????????? ??????????????? ????????? ????????Ñ?" ? ???? ??????, ???????????????? ?????????? ????? ? 70-?? ???? ?? ???????? ????Ñ?" ??????????????? ?????? ?????, ?? ??? ?????Ñ?" ??????????? ?????. ????? ?? ????????? ?????? ????? ?????? ??????Ñ?" ????? ??????????, ????????? ?????? ???? ????Ñ?" ???????? ?????????, ?? ????????? ??????? ????????????????? ??????? ??????? ???????? ???? ??? ???????? ?? ??????????, ???????? ? ??????????. ?????????? «????????» ??????Ñ?"???? ?? ????? ???????????? ????????? ? ???????? ??????? ??????? ?? ??????????Ñ?" ????? ???????, ?????????, ???Ñ?"???? ??? ??????. ?????????? ?????????? «????????» ???????? ?????, ?? ???? ??????, ??????????? ?? ???????????? ????????? ??????????????, ????? ????????Ñ?" ????????????? ?????? ?? ????????? ???? ??????????? ????, ??? ?????? ????????? ??????????? ?????? ????. ??????????? ?????? ?????????? ???????-?????????????, ?????????? ????? ?????????? ???????????? ?????? ? ???????, ???????? ?????????, ?? ?????? ????? ??????? ??????? ?????????? ????? ??????????-????????. ?????????????? ??? ??????????? ????????? ???????, ??? ????? ???????????? ?? ????????? ?????????????? ?? ??????? ????? ???????????, ?? ????????????? ????????? ?????????????????? ????? ???????? ??????? ?? ?????? ????? ????, ??????? ?? ???????????????? ?????????????? ???????. ?????????????? ???????? ?????? «??????» ????? ??????? ?????? ???????? ? ??????????????? ????????? -?????????? ???? ???????. ?????????? ???? ???? ????? ??????????? ?? ??????? ???? ?? ???????? Ñ?" «?????????», ???????-?????????????? ?????? ? ????????????????? ?????????? ????????? ????????? ????????????, ????????????? ??????????????? ?????????. ????? ????????. ?????????????????? ?????? ?????????? ?? ????????????????? ?????????????? ?????????????? ?????????? ?????, ??????, ?????????, ???????? ??? ????? ?????????, ????????Ñ?"?. ?????????? ????? ???? ???????. ????????? ???? ???????????Ñ?"???? ?????? ????? ????????????, ? ? ????? ?????????????, ??????? ??? ???????? ???????????Ñ?"???? ?? ?????????? ?????????? ? 15-20 ??????. ??? ????? ????? ????, ?????? ????????????, ?? 70-?? ????????? ????????. ???, ??? ???? ?????? Ñ?" ?. ??????, «Ð?"??? ? ????» (1984 ?.) ?? ?????? ?. ??????. ?????????, ?? ?????????? ??????? ????????????? ?????? ?. ???????, «????????» (1983 ?.) ?? ?????? ????????????Ñ?"???? ???????????? ???????. ????? ?????????????, «?? ???????? ???????» (1980 ?.) ?? ?????????????? ??????? ???? ???????? ???????» (1978 ?.) ?? «??????????» (1982 ?.) ?? ?????? ?. ??????????? ???????Ñ?"?. ?????? ????????? ??????? ????????? ???? ???????, ??????? «???????? ????????? ?????????? ????? ? ?????? ?????? ?? ???????? ???????-?????????????, ???????????? ??????? ????????????????-???????????? ???? ??????? Ñ?" ??Ñ?"?????? «???????????» ?? ?????? ?. ???????. ???????????? ? Ð?"??????? ??????????, ?? ??????????? ???????? ????????, ???) ??? ?????????? ??????? ????? ????????? ???????? ????????? [???????, 2008, ?. 53]. (??????????? ????????? ??????? ? ?. ?????????, ????????????, ?????????-?????????? ?????????? ????? 70-? ?????, ???? ?? ????????? ? ??????? ??????? ??????Ñ?"???? ????????? ?????????-?????????? ????? ??????? ?? ???? ??????? ? ??????Ñ?"???? ???????? ?? ???????? ??????. ???? ????? ????? ??????????. ?????????? ???????? ?????? ?????????? ???????, ????? ????????Ñ?"? ?? ?????????? ???????????? ?????????? ??? ?????????, ??????? ?? ???????? ????????????, ?????? ???????????? Ð?"?????}\end{longtable} \par \caption{\label{tab_1}?????????-???????????, ????????????????) ?? ????????Ñ?"???? ?????????? ??????, ????????????????? ????????????, ???? ??????Ñ?" ? ?????? ???????? ????? ?? ??????? ????????Ñ?"? ?? ?????? ??????????? ? ?????????????? ???????. ????????????????? ???????????-????????? ????????? ???????Ñ?" ?? ?????? ?????? ??????????????? ????????, ???? ?????Ñ?"???? ? ????????? ???? ???????. ?????????? ?????? «??????» ???????????? ???????? ? ????? ????????????? ????????????? ????? ???????? ???????????????? ?????????????? ??????? ?? ???????????????? ???????? ?????? ?????? ???? ???????????. ???????? ???Ñ?"??????????? ?? ??????? ??? ????????? ? ??????, ??? ???????? ? «??????» ????, ?????? ?????????Ñ?" ?? ????? ????? ?? ??????????, ?? ??????Ñ?"???? ?????????? ??????????????????? ???????????.}\end{figure} \footnote{Ballet Master Activity of Ji?í Kylián: From the Ballet Stage to Cinema Dance} \backmatter \begin{bibitemlist}{1} \bibitem[ Current issues of the humanities]{b9}\label{b9} \textit{}, \textit{Current issues of the humanities} 7 p. . (in Ukrainian) \bibitem[Kharkiv]{b11}\label{b11} \textit{}, Kharkiv . (in Ukrainian) \bibitem[ Young Scientist]{b16}\label{b16} \textit{}, \textit{Young Scientist} 5 (57) p. . (in Ukrainian) \bibitem[Kiev]{b18}\label{b18} \textit{}, Kiev . (in Ukrainian) \bibitem[?????? ()]{b1}\label{b1} \textit{}, ???? ?????? . \url{https://www.belcanto.ru/kylian.html} 2018. \bibitem[Kilian ()]{b12}\label{b12} \textit{}, Irzhy Kilian . \url{https://www.belcanto.ru/kylian.html} 2018. (Jiri Kilian. in Russian) \bibitem[???????????? ()]{b4}\label{b4} ‘?????? ?????????? ?? ?????????? ????? ?? ????????? ??? ???????? ?????? ??????? ?? ????????? ????? ??????? ?? ???????’. ? ???????????? . \textit{??????? ??????} 2018. 5 (57) p. . \bibitem[?????????? ()]{b0}\label{b0} ‘??????? ??????????? ? ????????? ??????? ????????’. Ð?" ?????????? . \textit{????????? ??????? ???????????? ????}, 2013. 7 p. . \bibitem[??????? ()]{b2}\label{b2} ‘?????????? ??????????? ???? ???????’. ? ??????? . \textit{??????? ???????? ???????? ?????? ??. ?. ?. ?????????} 2019. 5 p. . \bibitem[????? ()]{b3}\label{b3} \textit{??????????? ????????? ????????? ????????????? ???? ???????. ????????? ??????? ?????????? ??????????}, ? ????? . 2019. 10 p. . \bibitem[??????? ()]{b6}\label{b6} \textit{???????????? ???????? ???????????}, Ð?" ??????? . 2008. ????. \bibitem[??????? ()]{b5}\label{b5} \textit{?????????????? ????? ???????? ?????? ?? ????????}, ? ??????? . 2007. ??????. \bibitem[Lehka ()]{b14}\label{b14} ‘Filosofs?ke pidgruntya tvorchosti baletmeystera Irzhy Kiliana’. S Lehka . \textit{Current issues of art pedagogy} 2019. 10 p. . (Philosophical basis of the work of choreographer Jiri Kilian. in Ukrainian) \bibitem[Chepalov ()]{b10}\label{b10} \textit{Khoreohrafichnyy teatr zakhidnoyi Yevropy XX stolittya}, O Chepalov . 2007. (Choreographic theater of Western Europe of the twentieth century) \bibitem[Konotom ()]{b13}\label{b13} ‘Kinorakurs khoreografii Irzhi Kiliana [Film perspective choreography by Jiri Kilian’. I Konotom . \textit{Bulletin of the Academy of Russian Ballet. A. Ya} 2019. 5 p. . (in Russian) \bibitem[Sharykov ()]{b17}\label{b17} \textit{Klasyfikatsiya suchasnoyi khoreohrafiyi}, D Sharykov . 2008. (Classification of modern choreography) \bibitem[References Références Referencias]{b7}\label{b7} \textit{References Références Referencias}, \bibitem[Bernads?ka ()]{b8}\label{b8} \textit{Suchasna khoreohrafiya v konteksti syntezu mystetstv}, D Bernads?ka . 2013. (Contemporary choreography in the context of art synthesis) \bibitem[Malinovs?kyy ()]{b15}\label{b15} \textit{Syntez klasychnoho ta postmodern tantsyu yak fundament dlya bil?shoho vplyvu ideynoyi ta emotsiynoyi sfery vystavy na hlyadacha [Synthesis of classical and postmodern dance as a foundation for greater influence of the ideological}, V Malinovs?kyy . 2018. (and emotional sphere of the performance on the spectator) \bibitem[Vaccarino ()]{b19}\label{b19} E Vaccarino . \textit{Irzhi Kilian [Ji?í Kylián]. Palermo: L'Epos}, 2001. (in Italian) \end{bibitemlist} \end{document}